A sensory choreographic piece that envelops and transports the audience in a kind of liberation ceremony. After 12 years, this praised contemporary reinterpretation that the choreographer José Vidal made of The Rite of Spring, by Igor Stravinsky, together with the work of the composer Jim Hast, returns to GAM.
We inform
- Season sold out.
Dance until death. The disease exists, it is called choreomania or dance epidemic and has recorded cases from the Middle Ages to the 17th century. They were groups on the move until the sacrifice. An idea that José Vidal somehow took up when he created his reinterpretation of The Rite of Spring, by Igor Stravinsky.
José Vidal's version brought that rite to the collective, with 47 bodies that guide a sensory experience. Smell, color, temperature, texture, movement and sound surround the spectators who enter the room barefoot. "Living an intense experience of a contemporary ritual is a vital space to feel part of a collective fabric. The invitation is to allow emotion, ecstasy, and emotional decanter to emerge, and for this reason the piece proposes sensory participation through an environment, as well as when people are invited to join the scenic ritual," say its creators.
In the work, the first minutes of Stravinsky's composition are treated through loops maintaining the evolutionary journey of the score. This original musical methodology of the piece was created by composer Jim Hast. From vocal work and the study of music, a language of movement is developed, also incorporating elements of urban dances such as hip-hop and house, and electronic music. In the 2017 remake for Holland Festival, it was necessary to revert the music, a work carried out by Andrés Abarzúa and Jim Hast based on the same compositional strategies.
The production premiered in 2014 at GAM, returns today after twelve years in necessary moments, according to its creators: "A society develops to a better or worse extent due to how everything is in relationship. In this sense, ritual in various cultures is a process that allows us to intensify being together and update what we are and do."
Another novelty of this version, in addition to the participation of dancers from the original and historical cast, is the incorporation of new performers and the participation from Germany, of Lena Strüetzke and Victor Bolzmann, invited thanks to the support of the Goethe Institut.
Since its premiere, the production has been seen and acclaimed by more than 10,000 people, and has been exhibited at different festivals of international relevance, such as the Santiago a Mil Festival, Holland Festival, Marseille Festival, Kampnagel Hamburg and Festival Cielos del Infinito, in Punta Arenas, Chile.
Performers: Agustín Mella, Alejandro Ferreira, Alicia Pizarro, Ámbar Khalia, Andi León, Andrés Escobar, Antonio Rivas, Camila Ortiz, Catalina Avaria, Catalina Cano, César Avendaño, Cristián Lizana, Daniella Santibañez, Delfina Torres, Esperanza Vega, Flor Torres, Francisca Wastavino, Gabriela Suazo, Gustavo Castillo, Javier Calderón, Joao Domínguez, Jorge Olivera, Joshua Leyton, Lena Strüetzke, Lucas Sáez, Lucas Ortega, Macarena Del Río, Maira Aldana, Marahui Cárdenas, Marcel Torres, Mariel Bracamontes, Matias Castro, Matthias Chacón, Melissa Briones, Mónica Casanueva, Natalia Bakulic, Niba Manríquez, Nicolás Cancino, Odeth Moreno, Pablo Díaz, Paula Monares, Rommy Rojas, Valentina Fajardo, Valentina Vilches, Victor Bolzmann, Yanara Salinas. | Director- Choreographer: Jose Vidal | Executive Production: Catalina Avaria | General Production: Antonia Cea | Choreographic Assistance: Alejandro Ferreira, Andrés Escobar, César Avendaño, Daniella Santibáñez, Marcel Torres, Natalia Bakulic, Nicolás Cancino, Yanara Salinas. | Vocal Director: Silvia Vivanco | Assistance Address: Rommy Rojas | Production Assistance: Jorge Olivera, Yanara Salinas | Communications: Maira Aldana, Natalia Ramirez | Technical Manager: Matías Trujillo | Lighting Design: Antonia Peón- Veiga- Julio Escobar | Lighting Operator: Ignacio Trujillo | Music: Jim Hast - Andrés Abarzúa | Includes a track by the duo (ab)², made up of Felipe Bribbo and Andrés Abarzúa | Costume: Carolina Ocampo | Scenography: Yanara Salinas, Carlos Mangas, Matías Trujillo
Co-Produced: GAM, Jose Vidal & Company | Collaborator: Goethe Institute, Czechoslovakia, LAB | Interns: Catalina Godoy, Daniela Rivas, Esteban Vivalda, Mayra Eltit, Maria Paz Rojas, Millaray Barra, Sofia Riveros, Valentina Núñez, Florencia Vermehren.
Acknowledgments: Enrique Díaz Lazkao- Francisca Las Heras- Mario Carreño- Raúl Miranda- Camila Díaz.
“Living an intense experience of contemporary ritual is a vital space to feel part of a collective fabric. The invitation is to allow the emotion, the ecstasy, the emotional decanter to arise as well.”
— José Vidal & Inc.
Aug 8 to 30, 2025
Thu to Sat — 8 p.m.
Sala N1 (Edificio B, piso 2)
$10,000 General.
$6,500 Seniors, students, caregivers and people with disabilities.
$6,000 Gral. every Thursday
Not combinable with other promotions
SOLD OUT SEASON
-20% discount for Club La Tercera members (Thursday to Saturday).
-2x1 General. BiblioGAM Membership and Teachers Membership only Thursday and Friday.
-50% discount only on Thursday and Friday for students of performing and musical arts, artistic schools and members of SIDARTE, SINATTAD, SCD, ADTRESS, CHILE ACTORS.
*Exclusive discounts for the general value. Not combinable with other promotions.
50% and 2x1 discounts only available at GAM Ticket Office upon presentation of credentials.
14+ years | Duration: 80 min
Accessibility
This work presents high volume music, nudity, rumbling sounds, total darkness for a long time, smoke and/or dust in suspension, use of aromas. There is no use of spoken word.
This work is a sensory experience. The entrance is through a dark tunnel with a leafy dirt floor, which is accessed with bare feet. Upon entry there will be a space to leave your shoes.
For people with reduced mobility, it is recommended to ask the staff outside the room.
Previous Seasons
The work is the result of the residency that Jose Vidal's company held at GAM during December 2013. It premiered in January 2014 and had a second season in March of the same year. In 2017 it performed again with eleven performances from March 10 to 26.