Scene 1 / Maneries

The New York Times described this renowned work by Luis Garay that works with the body as linguistic material as “captivating.” Taking iconic, motivated and arbitrary signs, the performer Florencia Vecino constructs and explores a series of tests about the limits of her own capabilities, speaking from her corporeality. This production has been part of the Queens Theater in the Park, USA;  of the Madrid Autumn Festival, Fábrica de Movimentos Portugal and Ballhause Naunystrasse Berlin, among others.

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