The Break in Dance workshop, B-boying, will be taught by the companyDani Pannullo Dancetheatre Co, a pioneer in bringing urban dance to the stage and whose international production Avalanche will be presented at GAM during July.
The activity is free and is aimed at dancers. To participate you must register in advance by clicking here.
Registrations closed.
The activity is free and is aimed at dancers. To participate you must register in advance by clicking here.
Registrations closed.
Created in 1998 by Dani Pannullo together with a group of artists from different disciplines such as performance, break-dance, rhythmic gymnastics and classical and contemporary dance, the company is a melting pot of influences and avant-garde trends that reflects the current state of dance in large cities.
Throughout its history this company has integrated into its contemporary dance shows the different modalities of expression of street dance, with a careful staging and a careful academic treatment of the new manifestations of urban culture.
Dani Pannullo
Born in Patagonia Argentina, the choreographer has been the first artist to unite aesthetic discourses as seemingly disparate...as butoh dance or street breakdancing. Trained in dance and theater in Buenos Aires, he has also lived and traveled to places as diverse as Brazil, Japan, Egypt and the USA, searching at the root of the "Leitmotif" of his vision of theater or what he calls Pieces of today dance. "Dance should be a link that transmits emotions because, according to this director, the theater of the future will be much more physical... where each body, style, school or manifestation will contain a mystery that will only be revealed on the scene," he says.
Throughout its history this company has integrated into its contemporary dance shows the different modalities of expression of street dance, with a careful staging and a careful academic treatment of the new manifestations of urban culture.
Dani Pannullo
Born in Patagonia Argentina, the choreographer has been the first artist to unite aesthetic discourses as seemingly disparate...as butoh dance or street breakdancing. Trained in dance and theater in Buenos Aires, he has also lived and traveled to places as diverse as Brazil, Japan, Egypt and the USA, searching at the root of the "Leitmotif" of his vision of theater or what he calls Pieces of today dance. "Dance should be a link that transmits emotions because, according to this director, the theater of the future will be much more physical... where each body, style, school or manifestation will contain a mystery that will only be revealed on the scene," he says.